臺灣文學虛擬博物館-Being in Motion

Wandering Words, Free Spirits: A Travel Literature Exhibition

Being in Motion

Introduction

Highways, sea routes, and airways—each means of transportation, however ordinary they may seem, carries people towards their destinations. Shifting landscapes and rapid speeds fuel their imagination and anticipation while in transit.
Every trip begins with the courage to take the first step, and being in motion itself becomes its own kind of scenery. Whether winding through mountain roads, sailing across vast oceans, or soaring through the skies, these moments in motion spark countless inspirations for writing.
In such cases, what matters isn’t the destination. The experiences along the way—the thrill of discovery, the fascination over speed, and the marvels of movement itself—become some of the treasures often found in travel writing.

#OnTheWay #ByLandSeaAndAir #TheFeelingOfSpeed #MovingLandscapes

Ever-moving Scenery on the Road

American writer Jack Kerouac’s On the Road sparked a creative wave of “road literature.” Taiwan may lack the long, straight horizons characteristic of America’s interstate highways; however, its dense web of roads and railways, high speed and local alike, threads through towns and cities, weaving together its own unique landscapes. Through the words of Taiwan’s writers, bus rides, train journeys, and even bicycle trips become vivid records of ever-moving sceneries and the distinctive features of this island.

Liu Ka-shiang’s railway travels capture the charm of small towns along train tracks; Hsieh Wang-ling’s bicycle adventures chart a grand tour of the soul; and in Shu Kuo-chih’s accounts of drifting along America’s highways, we sense a shadow of Kerouac himself. While reading these works, do you feel the urge to hit the open road as well?

Autographs by Famous Individuals, Collected on Foot

These are the autographs and words of encouragement collected by Zhang Shen-qie during his 1924 walking tour around Taiwan. He started in Taichung and ended in Pingtung, visiting local gentry and well-known literary figures along the way.
(Collection of the National Museum of Taiwan Literature)

( From left to right)

Yang Nai-fan's "A 99-dollar Journey Across America"

Writer Yang Nai-fan recounts his east-west crossing of the United States by Greyhound bus for a ticket price of 99 dollars, and his stops in many cities along the way. This essay was published in the second issue of Hong Kong's Travel Magazine, July 1965.
(Collection of the National Museum of Taiwan Literature)

Manuscript of Luo Lan's "Denver—the Mile-high City"

While traveling throughout the United States, Luo Lan and her daughter wrote a series of travelogues. This one records the episode of their arrival in Denver, Colorado.
(Collection of the National Museum of Taiwan Literature)

Chi Jun Visiting Korea

In 1965, members of the Chinese Women Writing Association in Taiwan, including Chi Jun, Yungtze, and Xie Bingying visited Korea. They took this commemorative photograph in front of their plane.
(Collection of the National Museum of Taiwan Literature)

Photo of Lin Tsung-yuan in Venice

This photo shows Lin Tsung-yuan on a gondola, the symbol of Venice, during his travels in Italy.
(Collection of the National Museum of Taiwan Literature)

The Blue Highways of the Sea and Sky

For the people of Taiwan, the islands and seas of this land are an inseparable part of their identity. Whether boarding a boat for whale and dolphin-watching, taking a ferry to another harbor, or sailing the world on a cruise ship, these voyages close the distance between humans and the sea, their unhurried rhythm carrying a calm that no other mode of transport can match.

Unlike maritime or nature writing, travel literature about the sea focuses on the act of moving across waters and the experience of watching the waves. They capture sensations that land-based travel can never fully replicate. From river routes and coastal passages to close-up encounters with marine life, the sea becomes both vessel and vista. The words of these travel writers allow us to drift between ocean and sky, carried by the gentle tide of our imagination.

"Strolling in Keelung" Sheet Music

Ye Jun-lin composed this ode to Keelung, the "Rainy City," describing the scenery around the harbor and the atmosphere and customs of the fishing port. He later included it in his "Songs of Formosa" series.
(Collection of the National Museum of Taiwan Literature)

Manuscript of Mai Sui's "What I Saw in Pearl Harbor"

This poem, written by Mai Sui during his visit to Pearl Harbor in Hawaii, reflects on history and the tragic legacy of war.
(Collection of the National Museum of Taiwan Literature)

Manuscript of Chao Tien-yi's "Winter at Lake Tōya"

This passage by Chao Tien-yi describes Lake Tōya across all four seasons, and records his encounters with locals and reflections while sightseeing in Hokkaido, Japan.
(Collection of the National Museum of Taiwan Literature)

Manuscript of Chao Tien-yi's "Guishan Island"

Chao Tien-yi's poem describing a ferry journey to see Guishan Island off the coast of Hualien is a classic example of landscape poetry.
(Collection of the National Museum of Taiwan Literature)

Taking Flight to Distant Lands

Air travel only became commonplace after the mid-20th century. The exhilaration of speed and the sense of distance it creates have made flying one of the most defining symbols of modern travel.

In earlier decades, when trips abroad were difficult to make, every aspect of air travel was filled with novelty and excitement, adding to the joy of the journey. Meanwhile, airports became both the point of departure for distant travels as well as the arrival of longing and homesickness.

Flight and flying have been common motifs in essays, novels, and poems across time and can be considered the most apt representations of contemporary travel.

(From left to right, From top to bottom)

Hsu Chung-pei's "Many Old Stories of England"

Hsu Chung-pei served as the London correspondent for Central Daily News for two years starting in 1945. Later, she accompanied her husband, a diplomat, to several European and American countries, where she wrote down her experiences of living abroad.
(Collection of the National Museum of Taiwan Literature)

Manuscript of Lee Kuei-shien's Poem Series "Nordic World"

Across eight poems, Lee Kuei-shien describes the scenery of northern Europe, and gives voice to the impressions, feelings, and reflections on history evoked by its landscapes.
(Collection of the National Museum of Taiwan Literature)

Manuscript of Li Tung's "Lady Matsu Takes a Plane"

This piece is one of several in Li Tung's Diary of the Sky-blue Pacific. Narrated by the Pacific Ocean itself, the reader watches the goddess Matsu arrive in Taiwan during a tour of the Pacific coast, thereby exploring local folk beliefs and culture.
(Collection of the National Museum of Taiwan Literature)

Wu Cho-liu's Roaming Around Southeast Asia

Wu Cho-liu often had to go abroad for work, and traveled through many different countries. In 1973, he published many of his travel notes, which were interlaced with lines of classical poetry.
(Collection of the National Museum of Taiwan Literature)

Manuscript of Chu Chen-tong's "Silver-winged Birds Among the Clouds－Siaogang Airport"

Kaohsiung's Siaogang Airport takes center stage in this poem, in which airplanes are written as silver-winged birds, with the poet looking forward to the influx of tourism they will bring to Kaohsiung.
(Collection of the National Museum of Taiwan Literature)

Chan Che's "A Flight to Taipei"

This poem, published in the 66th issue of Taiwan Literary, describes a tourist flight which Chan Che took from Taitung to Taipei. The farewells he gives to his hometown friends are laden with hidden commentary on contemporary society.
(Collection of the National Museum of Taiwan Literature)

Wu Yong-fu's "On an Airplane"

Wu Yong-fu found it fascinating that after boarding a plane, travelers of all different nationalities experienced the same flight. This exploration of that concept was published in January 1988, in the 109th issue of Taiwan Literary.
(Collection of the National Museum of Taiwan Literature)

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